The Red Garland Trio (also referred to as Moodsville Volume 6) is an album by pianist Red Garland recorded in 1958 and released on the Moodsville label in 1960. the lack of variety makes this reissue one of Red Garland's lesser efforts. All compositions by Red Garland except where noted.
Red Garland's third recording as a leader has him playing very well, somewhat energetic and more inclusive in his direction to span the mainstream jazz palate beyond the cool exterior he emanates. The title might be a bit deceptive, for this is not a project where soul-jazz or early boogaloo influences turned jazzmen into groovemeisters - it's a swinging groove. With bassist Paul Chambers and drummer Art Taylor, Garland has all the support he needs to wing it in a variety of directions.
Complete your The Red Garland Trio collection. This was his third release with the trio featuring Art Taylor and Paul Chambers. Groovy is a bit of a misnomer, but the album is quality, A little less laid back than on previous outings, Garland is brighter and Chambers is fantastic throughout. しい物リストへすべて追加 ほしい物リストをすべて削除.
Groovy (Red Garland album). Studio album by Red Garland Trio.
The Red Garland Trio. 462 beğenme · 2 kişi bunun hakkında konuşuyor. William Red Garland was born in Dallas, Texas in 1923 . Red Garland as a quintet, with participation of John Coltrane Songs: All Morning Long 0:00 They Can't Take That Away From Me 20:21 Our Delight 30:49. Red Garland Quintet - All Mornin Long (1957). 6 Aralık 2018, 12:50 ·. Herkese Açık. The Red Garland Trio. Red Garland - Groovy (Full Album). 16 Mart 2016, 03:04 ·. The Red Garland Trio bir not yayınladı. 1958–84 – After the Miles Davis Quintet. In 1958 Garland formed his own trio.
Red Garland Trio: Groovy by Douglas Payne, published on November 1, 1999. This trio was known as the rhythm section when Groovy was made. Pianist Red Garland (1923-84), bassist Paul Chambers (1935-69) and drummer Art Taylor (1929-95) were in the midst of a long tenure with Miles Davis and stayed busy in studios backing one horn player after another. The unit's simpatico refinement never wavers in doubt. They were made for each other, honed in night-after-night of performances in a variety of settings. Consider the way Garland balances his chunky block chords on the left with a dancer's lightness on the right.