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Supersilent - 6 album

Supersilent - 6 album
Performer: Supersilent
Title: 6
Released: 2003
Country: Norway
Style: Experimental, Free Improvisation, Avantgarde
Genre: Electro / Jazz
Rating: 4.9
Votes: 613
Formats: AHX VQF MMF TTA MP2 AUD WAV
MP3 size: 1994 mb
FLAC size: 1367 mb

Tracklist

1 6.1 11:06
2 6.2 9:57
3 6.3 13:32
4 6.4 9:30
5 6.5 5:03
6 6.6 8:40

Companies, etc.

  • Phonographic Copyright (p) – Rune Grammofon AS
  • Copyright (c) – Rune Grammofon AS
  • Recorded At – Athletic Sound
  • Produced At – Audio Virus LAB
  • Mixed At – Audio Virus LAB
  • Mastered At – Strype Audio
  • Marketed By – ECM Records
  • Distributed By – ECM Records
  • Pressed By – SDC – 021102128

Credits

  • Design – Kim Hiorthøy
  • Mixed By – Helge Sten
  • Performer [All Selections] – Supersilent
  • Producer – Deathprod
  • Recorded By – Kai Andersen*

Notes

Recorded at Athletic Sound 3.-7.12.01 15 ips no noise red.
Mixed at Audio Virus Lab 20.06.02, 15.-23.08.02 24/96
Mastered at Strype Audio 24.09.02

℗ + © 2003 Rune Grammofon AS

Digipak packaging.

Barcode and Other Identifiers

  • Barcode (Text): 7 033662 020294
  • Barcode (Reader): 7033662020294
  • Matrix / Runout: SDC (Logo) RCD 2029 021102128

Other versions

Category Artist Title (Format) Label Category Country Year
RLP 3029 Supersilent 6 ‎(2xLP, Album, Ltd) Rune Grammofon RLP 3029 Norway 2003
BOM 24032 Supersilent 6 ‎(CD, Album, Ltd) Bomba Records BOM 24032 Japan 2005

6 is the fourth album by the Norwegian avant-garde free improvisation electronic group Supersilent. The album was recorded live in the studio over the course of five days and has no overdubs. 6 is among the most acclaimed and well-known Supersilent releases. Arve Henriksen – vocals, trumpet, percussion.

Bomba Records (4). BOM 24032.

Genre: Free Improvisation. This is one of the best jazz-improv album out there. The band is at its creative peak. Trumpet and synths are sometimes beyond recognition. Its not everything: noise, avant-garde and harsh ambient. Amazing Last studio album with drums, though.

Play it over and over, and you will still find amazing things in Supersilent's 6. The level of unspoken understanding, interplay, and clarity of vision in experimentation is now beyond words. This album was put together from four days of improvisations in the studio.

Comprising of Arve Henriksen (trumpet), Helge Sten of Deathprod fame (noise and electronics), Ståle Storløkken (keyboards) and Jarle Vespestad (drums), Supersilent are about as mysterious a band as they come. Few official photos of them exist (most are taken from live performances) and their music is entirely improvised.

Supersilent: Arve Henriksen - Trumpet, voice and electronics. Helge Sten - Electronics. Ståle Storløkken - Keyboards and electronics. electronic experimental ambient avant-garde improvisation jazz noise Norway.

Irostamore
Supersilent continue their unique brand of jazz with 6, melding the electronic with the organic. "6.1," for instance, wavers between flutes and more harsh sweeps of sound, as a light percussion tries to rein in the chaos. "6.2" has more melancholy to it, bolstered by the mournful trumpet, and "6.3" gets more spacious in its composition before it grows and swells towards grandeur. "6.4" starts off with some reverbed country guitar twang, while "6.5" revels in the feedback and processed guitars. "6.6" ends the album on a much more angelic note, with a high-pitched Sigur Rós-like vocals drifting atop the haze. Quite nice.
Sermak Light
Oh, My FREAKIN' LORD!--This IS the "Bitches Brew" for the 21st Century!! Miles would have been proud to come play with these guys!--Soundscapes hitherto unknown to the area of this galaxy -One for Thee Infinite Cosmos!!
fightnight
This album is one which I treasure most. Highlights are 6.2 (Arve's trumpet playing is simply breathtaking on this one) and 6.4. The latter track really deserves special attention. The quiet build-up which ends in magnificent guitar outbursts. A truly piece of art.
porosh
Recorded in 2003. Supersilent is a pseudonym for deathprod. Nicely twisted and manipulated electronic and organic sounds in a vaguely twighlight zone meets film score style. A plethora of sounds and styles all fused together in a very coherent and listenable way. Odd, but good odd.
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